MFA, Visual Arts, University of Victoria, Victoria, British Columbia, Canada
BFA, Sculpture, Rhode Island School of Design, Providence, RI
Third Year Program, Edinburgh College of Art, Edinburgh, Scotland

Selected Solo Exhibitions
Stack, Mercer Union, Toronto Ontario, October 2003
Lean, PlanB Arts, Santa Fe NM, March 1999
Fillr, Access Gallery, Vancouver BC, October 1997
All Down Hill, Xchanges Gallery, Victoria BC, October 1996
Smaller Than a Continent, ARC Building, May 1996
Parts is Parts, University of Victoria, October 1995
Strays, University of Victoria, November 1994
Strata, Sol Koffler Gallery RISD, Providence RI, 1991
From Providence, Works Gallery, Providence RI, 1990

Selected Group Exhibitions
Reconstruction Biennial, Exit Art, New York City, March-May 2003
Inflagrante Delicto, Studio A, Santa Fe NM, August 2001
Window Project, curated by Guy Ambrosino, Santa Fe NM, April 2000
Likewise, College of Santa Fe Gallery, Santa Fe NM, January 2000
Cimelice Castle Open House, exhibition of residents, Cimelice Czech Republic,
September 1999
Residual Traces and Resident Shadows, curated by Demi Raven, Soil Gallery,
Seattle WA, May 1998
Encasement, Out of Body Experience, and Affordable Comfort, curated by
Sean Miller, University of Colorado Boulder, April 1998
Glass Isle Revisited, curated by Anatole Russel-Ingram, Soil Gallery,
January 1998
Downtown Lives, site specific installation at DADA, Los Angeles CA,
January 1994
Partial History, collaboration with LA Matter, curated by Jaquie Draeger for the
L.A. Festival, June 1993
Countdown to the Next Millennium, LACE, L.A. CA, March 1993
Local Codes, collaboration with LA Matter for the F.A.R. Bazaar, L.A. CA,
November, 1992
Los Angeles Juried Exhibition, curated by Lizzetta Le Falle-Collins,

Curatorial Projects
Examining Territories, co-curated with Erin Wright, four photographers from
the Czech Republic and the United States, PlanB Arts, Santa Fe NM,
May-June 2000
City Photos, photographs by Jill Ballard, Soil Gallery, Seattle WA, April 1998
New Sculpture, sculpture by Spencer Hall, Soil Gallery, March 1998
Discrete/discreet, paintings by Ingrid Percy, Soil Gallery, February, 1998
Sleeper, group show at VEC Gallery, Victoria BC, March 1996

Cimelice Castle Residency; the Soros Center for Contemporary Arts-Prague,
August – September 1999
Vermont Studio Center; full fellowship, Johnson Vermont, April 1999
Lumsden Sculpture Center; Lumsden Scotland, April 1990

Shirreff, Erin. “Colin Zaug Stack.” Mercer Union Brochure for the Exhibition, Seasonal Catalogue, pp. 6-7
Smith, Roberta. “A Space Reborn with a Show That’s Never Finished.” New York Times, Arts Section, April 4
Armitage, Diane. “Caught in the Act at Studio A.” THE Magazine, September, pp. 24
Clemmer, David. “Examining Territories.” THE Magazine, July-August, pp. 77
Collins, Tom. “Banality of Beauty.” Albuquerque Journal North, June 2, pp. 6
Carver, Jon. “Dislocation Relocation.” Santa Fe Reporter, May 24-30, pp.31
Berkovitch, Ellen. “Here and There.” The New Mexican/Pasatiempo, May 19-25
Cline, Lynn. “Putting a Zipper on Work Elicits Deeper Meaning.” The New
Mexican/Pasatiempo, December 25-31, pp.12-13
King, Sarah. “Colin Zaug at PlanB.” Art in America, October 1999, pp.173-174
Armitage, Diane. “Lygia Bouton, Colin Zaug, Simparch at PlanB.” THE Magazine,
April 1999, pp. 62
Jarrett, Dennis. “ Winged Trailer.” Santa Fe Reporter, March 3-9, pp. 26
Miller, Sean. “Dumping Glass and not Blowing It with Public Art.” Crop, vol. 1, pp. 5
Hackett, Regina. “There’s a Gritty Substance in Art Collective Soil.” Seattle Post-
Intelligencer, July 12